The Seeds of Doom

The Doctor: It's more serious than death, Mr. Stevenson.  He's changing form.

The Android Invasion

The Android Invasion has problems.  Serious, gigantic problems.  Plot problems.  Character problems.  Structural problems.  It wastes good recurring characters and gives beloved performers lousy exits.  Above all, in a season of astounding ambition, it's the one story that isn't even trying to be interesting.  It's a by-the-numbers Terry Nation yarn that only looks all the worse for coming in between Pyramids of Mars and Brain of Morbius.  By any objective standard, it kinda sucks.

I like this one. 

Planet of Evil

The Doctor: Here on Zeta Minor is the boundary between existence as you know it and the other universe which you just don't understand. From the beginning of time it has existed side by side with the known universe. Each is the antithesis of the other. You call it "nothing", a word to cover ignorance. And centuries ago scientists invented another word for it. "Antimatter", they called it. And you, by coming here, have crossed the boundary into that other universe to plunder it. Dangerous.

Terror of the Zygons

Terror of the Zygons is one of those serials that has a reputation. There are a few of these, the stories that are generally considered classics (or the opposite). Usually, even if the story is flawed, it's clear what makes it great.

But Zygons' popularity seems somewhat inexplicable to me. It's a fun yarn, but the idea that it's one of the all-time-greats of Who - particularly in a season including Pyramids, Morbius, and Seeds of Doom is strange.

Pyramids of Mars

"Something's going on, something very contrary to the laws of the Universe.  I must find out what..."

The Wedding of River Song

All of time and space - everything that ever was and ever will be.  At the same time.

The Wedding of River Song finishes Doctor Who's 32nd season by answering many (if not all) of the lingering questions left by this and the previous season, while opening entirely new plotlines.  It's yet another of Moffat's staggeringly complex serial, and one substantially more difficult than Impossible Astronaut because it answers questions rather than asking them, and has to do so satisfyingly.  And, for the most part, it does this.  But that's not what makes it special.

Closing Time

As you'd expect from a sequel to The Lodger, which basically just dropped the Doctor into a sitcom for modestly enjoyable results, there's not much to Closing Time.  The plot is minimal, the villains barely there, the danger brief.  It rests itself entirely on the comedic timing and chemistry of Matt Smith and James Cordon.

Fortunately, those two elements work like a charm.  Smith and Cordon are a fantastic comic duo.  Gareth Robert's script gives them plenty of good material (particularly the Doctor's conversations with "Stormageddon") and they play it to the hilt.  And unlike The Lodger, it's focused enough on what little plot it has that it doesn't run out of steam halfway through.  It may be simple fluff, but it's a delightful little sidetrack, and enough fun and contrast to the rest of the stories that it just manages to stay out of the "filler" status of Black Spot and Night Terrors.

Because there's so little to say, about the only thing left to discuss are the villains.  Knowing this was the episode before Moffat revisted the Doctor's death from the beginning of the series, Roberts decided there should be a recurring villain for the Doctor's final battle, and chose the Cybermen.  Unfortunately, because this is a light-hearted comedy, they can't be too threatening or scary.  Well, they could be scary without ruining the fun, but Roberts doesn't go down that road.

But he gives them so little effectiveness, and allows them to be defeated in such a goofy fashion that if you're watching it for the Cybers, you'll find to your horror it falls in the dreaded third tier Cyber stories.  There are three types of Cyber-stories: the classics, which elevate the Cybermen to fascinating, mythic villains, eerie, grotesque mirrors of the dark side of humanity.  The Tenth Planet and Rise of the Cybermen are really the only stories that pull this off.  The second tier Cyber stories are the stories that keep them effectively threatening, but don't necessarily do anything interesting with them.  These can range from brilliant (Doomsday) to mediocre (Wheel In Space), but they all use the Cybermen simply as the villain by default.

The third tier stories are those rare episodes - Revenge of the Cybermen, Silver Nemesis, and this - that can't even manage to make them effective villains.  Closing Time uses them to garnish a barely-there story, then makes utter rubbish of them in the climax.

But the story isn't about the Cybermen for even a moment.  Even in the final moments, as they try to convert Cordon, it isn't about them.  It's about a father's love for his child how amazingly funny Matt Smith is, and what a blessing he is for Doctor Who.


RATING:

* * *